Prepare for a thrilling ride as we delve into the captivating realms of three iconic films that have forever etched their place in cinematic history. Brace yourself for the adrenaline-pumping tales of “Goodfellas” (1990), and the heart-racing escapades of “North by Northwest” (1959). And the mind-bending enigma of “Mulholland Drive” (2001). These movies have enthralled audiences with their gripping narratives, and impeccable performances. So here is the list of the Top 3 Movies of Hollywood.
And directorial brilliance. From the gritty underworld of organized crime to the suspenseful pursuit of mistaken identity. And the surreal exploration of dreams and identity, each film offers a unique and mesmerizing experience. Get ready to be immersed in the intense worlds created by these cinematic masterpieces that have left an indelible impact on the art of storytelling.
Goodfellas (1990)
Ray Liotta’s opening line, “As far back as I can remember, I always wanted to be a gangster,” assumes the role of the crime movie equivalent of “Once upon a time…,” and what ensues is Martin Scorsese’s rendition of a fairy tale. The tale of an idealistic Brooklyn youngster who realizes his childhood aspiration but ultimately falls short in the end. “Goodfellas,” based on the real-life experiences of mobster Henry Hill, emerged in the shadow of “The Godfather,” although over time, the debate surrounding their respective influences largely becomes a matter of generational perspective.
Undoubtedly, the former film proves more effortlessly rewatchable, thanks to its breakneck pace, with its two and a half hours (spanning three decades) flying by in a whirlwind. Surprising to many, this movie centered around violent career criminals manages to evoke a peculiar sense of relatability. While Coppola delved into the inner workings of organized crime’s upper echelons, Scorsese’s gangsters reflect a more blue-collar sensibility. As it turns out, working for the mafia isn’t all that different from any other job – you spend three decades toiling hard to ascend the ladder, only to find yourself face down on a bloody carpet in some gaudy suburban dwelling.
North by Northwest (1959)
No other thriller exudes elegance, delicate touches. And sensuality quite like Hitchcock’s refined heist film. Cary Grant embodies the suave and enigmatic adman Roger O. Thornhill, a character reminiscent of Don Draper but with a witty demeanor. Thornhill finds himself afflicted with a severe case of “Wrong Man-itis,” and his sharp sense of humor becomes his saving grace.
The film boasts mesmerizing set pieces, captivating villains, Eva Marie Saint’s captivating femme fatale, Saul Bass’s masterful credits. And Bernard Herrmann’s evocative musical cues. Somehow, all these elements seamlessly blend into a cohesive whole that exceeds the sum of its magnificent parts. And somewhere amidst the thrilling narrative, Thornhill even manages to rediscover his soul.
Mulholland Drive (2001)
Only a select few movies can lay claim to a reputation that encompasses both a genuinely erotic lesbian sex scene and a heart-stopping jump scare involving a terrifying trash witch. However, this is precisely the uncharted territory we find ourselves in when discussing the works of David Lynch. Throughout his illustrious career, Lynch has devoted himself to pushing boundaries and delving into realms that most other filmmakers wouldn’t even dare to explore. Yet, it is “Mulholland Drive” that solidifies the definition of the term “Lynchian.”
What initially appears as a seemingly straightforward noir tale, following a stunning amnesiac (Laura Harring) on her quest to unravel the enigma of her own identity, takes a hairpin turn in its climactic act, plunging us into a hallucinatory dream realm that effectively unravels everything that preceded it. This sudden shift bewildered certain critics who seemingly yearned for a film that would neatly explain itself in the end. However, true fans demonstrated a deeper understanding, recognizing that “Mulholland Drive” isn’t meant to be simply deciphered but rather embraced as an immersive experience that unwraps like a gift, unveiling new delights (and horrors) with every subsequent viewing.
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