Russian films have significant value because of their era. And their movies are related to that time only which is benefitting the audience with that feel of drama that can only be seen in these types of movies. Here is a list of the most significant Russian films of the last decade.
How I Ended This Summer
2010/Thriller/Russia
One of the rare filmmakers in the world whose works have won FIPRESCI honours is Alexey Popogrebsky. This film, “Simple Things” in Troms and “Koktebel,” shot with Boris Khlebnikov, in Karlovy Vary, was screened at the Moscow International Film Festival, where it gained notoriety and won the Special Jury Prize.
Daughter
2012/Drama, Detective/Russia
Even more unusual is the circumstance in which a debut picture (or any film, for that matter) wins two FIPRESCI awards at once. Therefore, in Kasimov on the Oka, Alexander Kasatkin and Natalya Nazarova shot a very simple, unassuming, and cheap movie. They obviously could not have anticipated that the Tallinn and Warsaw FIPRESCI jury would praise them for it; this is a tremendous honour that cannot be overstated. However, the movie brought only 6.8 thousand viewers in Russia.
Euphoria
2006/Comedy, Drama, Melodrama/Russia
The debut movie of Ivan Vyrypaev, a popular theatrical screenwriter who entirely altered aesthetics and produced a truly visual feast for the cinema, met the same fate. He received awards from the FIPRESCI jury in Haifa and Kyiv (IFF “Molodist”) without saying a word. After that, though, Vyrypaev reverted back to more well-known theatrical mediums of expression, and he stopped winning more FIPRESCI awards.
Room and a Half
2008 / Biopic / Russia
Russian film festivals are often held relatively frequently in Haifa. For instance, a movie about Joseph Brodsky’s youth that exhibited amazing artistic talent won the FIPRESCI Award, much to the delight of the audience, many of whom could not only afford but also understand the movie’s original language without reading subtitles.
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